Part of a series of 4 films, Kinshasa (2018), Shenzhen (2019), New York (2019) and Dakar (2018), the project explores the relationship between digital technology, cybernetics, colonialism and the re-enchanted notion of a Non-Aligned Humanist Utopia. The four films of Core Dump are rhizomatic assemblages of found footage, performance documentation and recorded interviews that form narrative portraits of the uncertainty in the nervous system of the digital earth. The films are fragmented arrangements of images and sounds, with each chapter forming links across geographic and temporal discontinuities.
Release Date: January 01, 2019
September 11, 2020
January 01, 2015
November 20, 2007
March 11, 2021
January 01, 2003
November 30, 2023
January 01, 1982
Invalid Date
January 24, 2012
April 12, 2020
November 03, 2022
January 01, 2018
March 07, 2009
August 20, 2015
January 01, 2013
January 01, 1974
January 01, 2007
May 20, 2023
September 02, 2020
January 01, 2011