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This digital video arose from the idea of trying to transfer to film all the photographic images I had created with the so-called “photo-finish” technique. While in the process of completing it, I used single frame digital animation to shoot the faces and their sudden transformations when subjected to the photo-finish technique, transferring them, then imparting motion to them in a single animated sequence on the computer. This agitation, torn from photographic fixity [is] subjected, in turn, to distortion by its intersection with objects texture-mapped with those same faces. The passage from motionless quiet to paroxysmal interference; the animating startle of Bach’s cello.
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![Eme (o dos historias sobre [cómo] soltar)](https://image.tmdb.org/t/p/w780/uSlLcIoYdFIkl2r3J8YUq9DeItJ.jpg)
