Jennifer, Where Are You? is structured by a speech-act, a constant proleptic call, a man’s voice which has been edited and recut into a repetitive and pervasive presence. The insistence of this male voice, which repeats the phrase “Jennifer! Where are you?” every 30 seconds, parodies the authority conceded to voice-overs in the cinema. The voice is patriarchal, relentless, and runs the entire length of the film. Cut-aways to a small girl, glancing at the camera as she plays with lipstick and matches, reapportion the relation between patriarchal phonocentrism and masculine gaze. But is this small child subject to either? No. Not really. There she is, hiding in plain sight–ours, not ‘his’–a ‘purloined subject’ successfully evading subjugation through response or acquiescence. ‘Jennifer,’ whoever she might be (a cipher, a pseudonymous textual marker of gendered cinematic presence) is never apprehended, and the film, for all of its suspense, simply ends.
Release Date: January 01, 1981
October 22, 1983
December 09, 1995
September 16, 2022
January 01, 1997
August 19, 2011
April 07, 2017
May 05, 2010
January 01, 1982
January 01, 1967
January 01, 1957
May 31, 1993
May 31, 2011
May 26, 2016
May 30, 2016
September 01, 1972
April 13, 2016
January 01, 2014
October 13, 1995
October 01, 1985
December 18, 1996