This performance of 2014 can be considered as a reference on account of the quality of the vocal material involved and because the daring staging of Austrian Martin Kušej is rich in meaning within the context of the global challenges of today. He proposes a reflection on war, on vengeance and also on the mark of guilt which ends with the joie de vivre and the expansion of passions. In the intimacy of Calatrava, his is a post-Bauhaus picture of a Fascist neatness which then contrasts with the chaos of battles, the abyss of misery and the sexual stampede after triumph or failure. In this context, religion, instead of being a consolation is both an escape and the tomb of humanity; the chapel wherein Leonora hides is made out of huge crosses and in one of them, just for a moment, Don Álvaro seems crucified by his fate.
Release Date: June 10, 2014
February 12, 2014
February 03, 1987
January 17, 1973
July 11, 1990
February 25, 1993
October 01, 2021
September 04, 2014
October 05, 2014
December 12, 1988
May 22, 2001
March 01, 2013
December 01, 2006
December 07, 2021
April 20, 2019
September 24, 1954
April 08, 1957
March 19, 1989
November 18, 2008
October 28, 2013
September 20, 2020