Nelson sets minimal, repetitive imagery against a looping recording of his daughter Oona, which goes gradually from sweet to curious to mysterious to cacophonous as the loops overlap each other. Since its premiere alongside The Great Blondino and other shorts in April 1967, the film has rarely been seen. It stands out as a more textural piece from Nelson, which, rather than retreating into pure abstraction or bland trippiness, subtly transmits an undercurrent of its ominous source material. —Mark Toscano. Preserved by the Academy Film Archive in 2010.
Release Date: January 01, 1967
September 23, 1969
February 18, 1970
November 09, 1950
January 01, 1942
October 10, 1958
December 01, 1951
June 24, 1938
December 12, 1963
November 04, 1927
March 13, 1971
May 18, 1990
December 17, 1993
March 07, 1996
April 10, 1966
January 02, 1953
November 24, 1943
August 26, 1950
January 01, 1973
May 01, 1959
October 11, 1956